
A hi-end 8-channel Mic/Line preamp and AD-converter, RME’s Micstasy M provides simultaneous analogue and digital outputs, the latter available as both AES3 and MADI. The Micstasy M is fully remote-controllable via MIDI or MIDI over MADI, allowing the device to be placed near the microphone sources to guarantee the highest sound quality, while remaining controllable from the mix or recording position.
Main feature set:
- 8 balanced XLR mic/line inputs with 85 dB gain range
- MADI I/O with serial cascading and digital return path
- Analogue input level from -56.5dBu up to +30dBu
- High-end circuitry with super low-noise microphone front-end
- Near-click-free gain changes in steps of 0.5 dB
- Wide frequency range (200 kHz) with special EMI input filtering
- 8 balanced TRS line/instrument inputs with Hi-Z option
- 8 balanced XLR line outputs, maximum level +27 dBu
- 4 x AES3 Out via D-sub, 8 channels @ up to 192 kHz
- 2 x ADAT Out, 8 channels @ up to 96 kHz (SMUX and SMUX4)
- Symmetrical hi-pass (Lo Cut) filter with super-low THD, 18 dB/oct
- LED level meter with 13 LEDs per channel
- M/S de-/encoding for the digital output
- AutoSet: Automatic gain reduction with multiple linking
- Current state can be stored to 8 user presets
- Fully remote controllable
Connectivity:
- MADI I/O (I 64 MADI Card – standard on Micstasy M)
- 8 x Analogue Input Preamps (XLR/Line with 85 dB gain range)
- 8 x Analogue Output (XLR)
- 4 x AES3 Out (8 channels @ 192 kHz)
- 2 x ADAT Out (SMUX and SMUX4)
- MIDI I/O
- Word clock I/O
